LEADER 01994ngm a22002897a 4500003    hubpceu
005    20180517094900.0
006    g|||||r|||| 00| 0
007    v| ||||||
008    121017b xxu||||| |||| 00| 0aeng d|| | ||
040     |bEnglish |chubpceu
041    rum |jeng
099    FL Record |f4433
100     |eAlexandru Sahia Documentary Film Studio
242    Sahia Vintage II: Work |yeng
245    Sahia Vintage II: Muncă
260    Romania |c2016
300    DVD (130 min.)
337    Moving image
520    In the national-communist imagination, workers and documentary filmmakers walked side by side. They shared an onerous position assigned to them as part of the official discourse of the one-party state: the workers were a crucial component of the social and political mechanism, since they were allegedly the class, fully aware of its historical role, on behalf of which the Party ruled; the documentary filmmakers also enjoyed the official limelight, being that privileged category of cinema workers tasked with depicting the country’s revolutionary present and, not least, the workers themselves. The films included here have in common an emphasis on the semantic family of ‘work’: work construed as alienating or liberating, work as a process, the refusal to work, the cult of work, efficient vs. inefficient work, work and time, work and female emancipation, gendered work, the poetry of work, etc. 
655    Documentary films 
942     |2ddc |cDVD-ROM
952     |00 |10 |2ddc |40 |6FL_4433_000000000000000 |70 |8FL |9125955FL |bFL |d2018-05-17 |l0 |oFL 4433 |r2018-05-17 |w2018-05-17 |yDVD-ROM |zM22-R17-S1-R7 |cAudio Visual
952     |00 |10 |2ddc |40 |6FL_RECORD_4433_000000000000000 |70 |8FL |9152835FL |bFL |d2019-09-05 |l0 |oFL Record 4433 |pHU_OSA_00006153.mp4 |r2021-11-04 |w2019-09-05 |yDIGIFILM |zAccess Copy, MP4 format |cAudio Visual
920 01 7XLjakeL
966    True |bHU_OSA_00006153 |cDigitally Anywhere / With Registration