Unseen Cinema: Light Rhythms, Music and Abstraction
General Information
- Author/Creator
- Shepard, David, director.
- Language
- English.
- Published
- United States : Anthology Film Archives
- Physical Description
- DVD-ROM (168 min.)
- Digital ver. identifier
- HU_OSA_00002964
Contents/Summary
- Summary
- Early American avant-garde cinema from 1894-1941. The rhythmic elements of cinema are explored by artists and filmmakers fascinated by the abstract qualities of light. The American authors of avant-garde classics Le Retour á la raison (1923), Ballet mécanique (1923-24), Anémic cinéma (1926), and Une Nuit sur le Mont Chauve (1934), are finally acknowledged for their seminal artistic achievements made in Europe. Pioneer abstract films by Ralph Steiner, Mary Ellen Bute, Douglass Crockwell, Dwinnell Grant, and George Morris are compared and contrasted with Hollywood montages created by Ernst Lubitsch, Slavko Vorkapich, and Busby Berkeley. For the first time on video, composer George Antheil's original 1924 score accompanies Fernand Léger and Dudley Murphy's film Ballet mécanique, a truly avant-garde cacophony of image and sound.
Subjects
- Genre
- Documentary films
Bibliographic Information
Holdings
Item Type |
Current Location |
Call Number |
Status |
Shelving Location |
Public Note |
DVD-ROM | OSA Film Library | FL Record 1312 | Available | - | - |
Digital film | OSA Film Library | FL Record 1312 (HU_OSA_00002964.mp4) | Available | | Access Copy, MP4 format |