In 2002, an Iranian woman named Shahla Jahed was accused of murdering the wife of her famous lover, the soccer player Nasser Mohammed Khani. The story of this adulterous affair, the news about the murder and the subsequent trial created an enormous media event in Iran. The newspapers couldn't get enough of it, and TV talkshows were devoted to the «syndrome» of this woman, who had fallen in love with a celebrity. In the film, we see flashes from the numerous articles and TV shows, as well as home movies in which Nasser's mistress films him. There is also a segment in which Nasser visits the house where his wife was murdered. But the most important element in the film is the trial: As a woman, Shahla officially has very little say in the Iranian legal system, but the way, in which she handles her own defence, would make you presume otherwise. She categorically denies any involvement in the murder, maintaining that she was forced into a confession. She contradicts the judge, and while constantly rearranging her chador, she even seems to be flirting with him.