LEADER 01592ngm a22002537a 4500005 20161125134948.0 005 hubpceu 007 v| |||||| 008 121017b########xx#|||############m|eng|| 003 hubpceuo 099 FL Record |f2218 100 Franzen, Benjamin, |edirector. 245 Copyright Criminals 300 DVD-ROM (53 min.) 337 Moving image 520 The film examines the creative and commercial value of musical sampling, including the related debates over artistic expression, copyright law and money. Long before people began posting their homemade video mashups on the Web, hip-hop musicians were perfecting the art of audio montage through sampling. New technologies developed in the 1980s and 1990s made it easier to reuse existing sound recordings, but soon sampling collided with the law. When recording industry lawyers got involved, what was once called “borrowed melody” became “copyright infringement.” As artists find more inventive ways to turn old tunes into new material, this film poses the question: Can you own a sound? 655 4 Documentary films 260 United States, |c2009. 041 eng 952 |00 |10 |40 |50 |70 |8FL |992193FL |bFL |d2016-11-25 |l0 |r2016-11-25 |w2016-11-25 |yDVD-ROM 952 |00 |10 |2ddc |40 |6FL_RECORD_2218_000000000000000 |70 |8FL |9148305FL |bFL |d2020-12-09 |l0 |oFL Record 2218 |pHU_OSA_00003865.mp4 |r2021-11-04 |w2020-12-09 |yDIGIFILM |zAccess Copy, MP4 format |cAudio Visual 920 01 KYQNLaeg 966 True |bHU_OSA_00003865 |cDigitally Anywhere / With Registration