General Information

Author/Creator

Sherry, Vincent B., 1948-

Language

English.

Published

New York : Oxford University Press, c1993.

Physical Description

228 p. : ill. ; 24 cm.

Contents/Summary

Summary

Ezra Pound and Wyndham Lewis developed a highly experimental art; they were attracted simultaneously to political programs remarkably backward in outlook--the autocracies of Fascist Italy and Germany. That paradox, central to the problematic achievement of Anglo-American modernism, is freshly addressed in this study. Here Sherry examines the influence of music and painting on literature, presents original research on European intellectual history, and proposes a new understanding of ideology as a force in the literary imagination. Following the example of continental ideologues, the English modernists use the material of aesthetic experience to prove truths of human nature, making art the basis for social values and recommendations. This sensibility enriches their work, shaping the varied textures of Pound's Cantos and the complex designs of Lewis's painting and fiction, but their mastery of avant-garde techniques endorses the authority of an antique state. Sherry returns their "totalitarian synthesis" of art and politics to its originating moment, following its trajectory from 1910 to the eve of World War II.

Subjects

Subject

Pound, Ezra, 1885-1972 > Criticism and interpretation.

Lewis, Wyndham, 1882-1957 > Criticism and interpretation.

Modernism (Literature) > Great Britain.

Modernism (Literature) > United States.

Radicalism in literature.

Fascism and literature.

Bibliographic Information

Responsibility

Vincent Sherry.

Note

Includes index.

Library Special Collection

The Roger Griffin ComFas Collection

ISBN

0195076931

Holdings

Item Type	Current Location	Collection	Call Number	Volume Info	Shelving Location	Public Note
Book	OSA Archivum Library	General collection	810.9/358/0904 SHE		General Stacks	-

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