LEADER 03371cam a2200385 i 4500003 hubpceuo 005 20240411082218.0 008 220307t20212021enka b 001 0 eng c 010 2021425699 015 GBC1D6688 |2bnb 016 7 020299407 |2Uk 020 9781912685820 |qhardcover 020 1912685825 |qhardcover 040 YDX |beng |erda |cYDX |dBDX |dUKMGB |dOCLCO |dERASA |dOCLCF |dTOH |dYDX |dIQU |dOCL |dOCLCO |dZWU |dPAU |dDLC |dhubpceuo 041 eng 042 pcc 050 00 TR267.3 |b.D49 2021 100 1 Dewdney, Andrew, |d1948- 245 10 Forget photography / |cAndrew Dewdney. 260 Cambridge : |bGoldsmiths, University London, |c2021. 300 xiii, 241 pages : |billustrations ; |c24 cm. 504 Includes bibliographical references and index (p. [233]-241). 505 00 Machine generated contents note: |tPart I -- |g1. |tForget Photography -- |g2. |tZombie Photography -- |g3. |tPost-Photography -- |tPart II -- |g4. |tPhilosophy, Technology and Photography -- |g5. |tPhotography and Modernism: A Case Study of Tate Modern and Tate Britain -- |g6. |tPhotography and Heritage: A Case Study of the Victoria and Albert Museum -- |tPart III -- |g7. |tThe Image after Photography -- |g8. |tThe Politics of the Image -- |g9. |tThe Hybrid Image. 520 8 The central paradox this book explores is that at the moment of photography's replacement by the algorithm and data flow, photographic cultures proliferate as never before. The afterlife of photography, residual as it may technically be, maintains a powerful cultural and representational hold on reality, which is important to understand in relationship to the new conditions. Forgetting photography is a strategy to reveal the redundant historicity of the photographic constellation and the cultural immobility of its epicenter.0It attempts to liberate the image from these historic shackles, forged by art history and photographic theory. More important, perhaps, forgetting photography also entails rejecting the frame of reality it prescribes and delineates, and in doing so opens up other relationships between bodies, times, events, materials, memory, representation and the image.0Forgetting photography attempts to develop a systematic method for revealing the limits and prescriptions of thinking with photography, which no amount of revisionism of post-photographic theory can get beyond. The world urgently needs to unthink photography and go beyond it in order to understand the present constitution of the image as well as the reality or world it shows.0Forgetting photography will require a different way of organizing knowledge about the visual in culture that involves crossing different knowledges of visual culture, technologies, and mediums. It will also involve thinking differently about routine and creative labor and its knowledge practices within the institutions and organization of visual reproduction.-- 650 0 Computational photography. 650 0 Photography |xPsychological aspects. 650 0 Photography |xPhilosophy. 650 0 Information visualization. 650 0 Visual analytics. 880 |6245 942 |2ddc |cBK 952 |00 |10 |2ddc |40 |70 |8GEN |9164146OSA |bOSA |d2024-04-10 |eOSA |l0 |r2024-04-10 |w2024-04-10 |yBK |cOSA Repository 920 01 Pe8zrZXW 966 |cIn the Research Room