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a| Domke, Johanna,
e| director.
a| Omara, Marouan,
e| director.
a| Verzio Film Festival Submission
a| Shot entirely on location inside Egypt’s oldest and most important national daily, Al-Ahram, this film is an unconventional account of the 2011 revolution, which does not include any images of the popular uprising itself. Tahrir Square was both a popular uprising and a revolution in visual representation: the country shifted from strict control of the Egyptian state media to a new visual regime introduced by a distribution of images through social media. By taking us on an insider’s tour around the newspaper offices, the film suggests a wider reflection upon the ways in which structures of political power are intimately connected to strategies of managing the visible. In a row of meticulously composed shots, we meet staff from both the top-level executive office to the rank and file employees, and hear off-screen first person accounts of the workings of the Egyptian media. Placing images of Egypt’s political leaders in a historical context, the film reveals how the framing of images has been used by state controlled media and how an idealized image of the revolution is being similarly constructed today.
a| Verzio Film Festival Submission
a| Egypt :
b| Domke, Johanna,
c| 2013.
0| 0
1| 0
4| 0
5| 0
7| 0
8| FL
9| 93450
a| FL
b| FL
d| 2016-11-25
l| 0
r| 2016-11-25
w| 2016-11-25
y| BLU-RAY
0| 0
1| 0
2| ddc
4| 0
6| FL_RECORD_3394_000000000000000
7| 0
8| FL
9| 150687
a| FL
b| FL
d| 2019-06-13
l| 0
o| FL Record 3394
p| HU_OSA_00005069.mp4
r| 2021-11-04
w| 2019-06-13
y| DIGIFILM
z| Access Copy, MP4 format
c| Audio Visual
a| True
b| HU_OSA_00005069
c| Digitally Anywhere / With Registration