Jean Rouch shot La Pyramide Humaine in 1961 and the filmmakers discovered it the summer of 2012. The film draws suggestive connections between a politic conflict and the art of creation by itself. That summer the filmmakers were in charge of shooting the Saharaui children staying with host families from Barcelona during the summer holidays. Through this the filmmakers attempted to get deep into the essence of that movie. The result is an audiovisual experiment with three protagonists: a Saharauian friend in exile, a group of kids from the desert and a play.