Forgery, replica, fiction : temporalities of German Renaissance art

General Information

Author/Creator
Wood, Christopher S.
Language
English.
Published
Chicago : University of Chicago Press, 2008.
Physical Description
xi, 386 p. : ill. ; 27 cm.

Contents/Summary

Summary
"Wood shows that over the course of the fifteenth and early sixteenth centuries, emerging replication technologies - such as woodcut, copper engraving, and movable type - altered the relationship between artifacts and time. Mechanization highlighted the dependence of all transmission processes on the artifice, materials, and individual authorship necessary to create an object, calling into question the replica's ability to represent a history that was not its own. Meanwhile, print catalyzed the new discipline of archaeological scholarship, which began to draw sharp distinctions between true and false claims about the past. Ultimately, as forged copies lost their value as historical evidence, they found a new identity as the deliberately fictional construct we have come to understand as the work of art."--BOOK JACKET.

Subjects

Subject
Art > Germany > Historiography.
Archaeology > Germany > History.
Historiography > Germany > History.

Bibliographic Information

Responsibility
Christopher S. Wood.
Content
1. Credulity -- 2. Reference by Artifact -- 3. Germany and "Renaissance" -- 4. Forgery -- 5. Replica -- 6. Fiction -- 7. Re-enactment.
ISBN
9780226905976
0226905977

Holdings

Item Type Current Location Collection Call Number Volume Info Shelving Location Public Note
BookOSA Archivum LibraryReference collection709.43/09024 WOOReference-

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