HU OSA 206-2-24 Chicago – New York (Chicago – New York)
Identity Statement
- Reference Code
- HU OSA 206-2-24
- Title
- Chicago – New York
- Date(s)
- 2001
- Description Level
- Series
Context
- Name of creator(s)
- Open Society Archives at Central European University
Content and Structure
- Scope and Content (Abstract)
- This exhibition of more than 150 black-and-white photographs represent a cross section of the thousands of significant buildings that are protected by local landmark designation in Chicago and New York City. The story of how this came to pass is both as similar and as different as the cities themselves.
The preservation movement in both cities was, in large part, a response to demolition threats that occurred to significant structures during the building boom of the post-World War II years. For New Yorkers, the call to action as the 1963 demolition of Pennsylvania Station, a Beaux Arts masterpiece designed by McKim, Mead & White (1902-04). Two years later, New York City passed legislation that would help protect other significant structures from demolition or damaging alteration, establishing the New York City Landmarks Preservation Commission.
- Scope and Content (Narrative)
- One of the key events that inspired Chicago`s preservation movement was the near demolition in 1957 of Frank Lloyd Wright`s famed Robie House, located in Hyde Park on the city`s South Side. Another was the unsuccessful 1960 effort to save Adler & Sullivan`s Garrick Theater Building, an important early skyscraper. Even H.H. Richardson`s Glessner House on South Prairie Avenue seemed destined for demolition in the early 1960`s until it was purchased by a concerned group of architects and preservationists.
As a response to these growing preservation concerns, the City council of Chicago in 1968 established the present-day commission on Chicago Landmarks, and empowered it to identify and protect the city`s historical and architectural heritage. Among the first buildings to be given protective landmark status were considered to be the precursors of modern architecture, such as the city`s pioneer skyscrapers (Carson Pirie Scott, Monadnock, Reliance and Rookery) and such milestones in residential design as the Charnley, Glessner, Madlener and Robie houses.
The number of protected landmarks in the two cities varies widely, as benefitting the differences in their size and age. New York has designated more than 1,000 individual landmarks and 73 districts, including several buildings from the 17th and 18th centuries, such as the Conference House (1675) and Gracie Mansion (1799). Chicago, on the other hand, has designated 145 individual landmarks and 31 districts - only a handful prior to the fire of 1871, such as the Noble House (1833), Clarke House (1836), the I & M Canal Origins Site (1836) and the Wingert House (1854).
Today the two cities are paying increasing attention to landmarks from the recent past. Among the newly-designated landmarks in New York City are the Levet House (1952), the Seagram Building (1958), the Unisphere from the 1964 New York World`s Fair, the TWA Terminal (1962) and the Ford Foundation Building (1967). Chicago`s recent designations have included the Bachman House (1948), 860-880 Lake Shore Drive (1949), Crown Hall (1956), Inland Steel (1957) and the Chess Records Studios (1957).
Photography is a critical component of each city`s approach to generating public support for landmark designation. New York City`s images are the work of young photographers who were commissioned for the book Landmarks of New York III by Barbaralee Diamonstein. Chicago`s landmarks were photographed by some the city`s most notable photographers, commissioned at the time of the proposed designation.
Landmarks of Chicago and New York: A Tale of Two Cities has been organized in Chicago by the Chicago Department of Cultural Affairs, in cooperation with the Commission on Chicago Landmarks and the Historic Landmarks Preservation Center, New York. Kenneth C. Burkhart served as exhibition coordinator.
Major support for Landmarks of Chicago and New York: A Tale of Two Cities has been provided by Goldman, Sachs & Co.
- Accruals
Not Expected
Conditions of Access and Use
- Conditions governing access
- Not Restricted
- Languages
- English, Hungarian
Azonosítás
- Jelzet
- HU OSA 206-2-24
- Cím
- Chicago – New York
- Idő(kör)
- 2001
- Leírás szintje
- Series
Kontextus
- Készítő(k) nevei
- Open Society Archives at Central European University
Tartalom és Szerkezet
- Tárgy és tartalom (Kivonat)
- 150 fekete-fehér fénykép mutatja be a két város jellegzetes arculatának kialakulását. Az Amerikai Nagykövetséggel és Chicago város önkormányzatával közösen rendezett kiállítás.
- Gyarapodás
Nem várható
Hozzáférés és Felhasználás
- Jogi helyzet
- Not Restricted
- Nyelvek
- English, Hungarian
- HU OSA 206 Records of the Open Society Archives at Central European University
- HU OSA 206-2 Exhibitions (OSA Archívum kiállítási program)
- HU OSA 206-2-2 The Representation of the Counter-Revolution (Az ellenforradalom reprezentációja)
- HU OSA 206-2-3 The Art of the Unofficial (Az alternatív művészete)
- HU OSA 206-2-4 Fifty Years Ago It Was a Hundred Years Ago (50 éve volt 100 éve)
- HU OSA 206-2-5 The Portrait of Roloff Beny (Roloff Beny)
- HU OSA 206-2-6 The International Helsinki Federation for Human Rights Movement (IHF. Emberi Jogok Nemzetközi Helsinki Szövetsége)
- HU OSA 206-2-7 Prague Spring, Prague Fall (Prágai tavasz, prágai ősz)
- HU OSA 206-2-8 Freeze Frames of Communism (Dia. Mese és meggyőzés)
- HU OSA 206-2-9 Ten Years of Freedom. 1956 in Hungarian Hisorical Thought (Tíz éve szabadon. 1956 a magyar történetírásban, 1989-1999)
- HU OSA 206-2-10 The Commissar Vanishes (A komisszár eltűnik)
- HU OSA 206-2-11 Gulag (Gulág)
- HU OSA 206-2-12 Ten Years After (Tíz év múltán)
- HU OSA 206-2-13 The Note (A cetli)
- HU OSA 206-2-14 Past in the Present for the Future (A múltat a jelenben a jövőért)
- HU OSA 206-2-15 Vietnám & Vietnam (Vietnám & Vietnam)
- HU OSA 206-2-16 Expedition into the Future (Expedíció a jövőbe)
- HU OSA 206-2-17 The Siege of Budapest 1944-1945 (Az ostrom. Budapest 1944-1945)
- HU OSA 206-2-18 The First One (Az első)
- HU OSA 206-2-19 The 2000 Years of Communism (A kommunizmus 2000 éve)
- HU OSA 206-2-20 Kosovo/a (Kosovo/a)
- HU OSA 206-2-21 Angkor (Angkor)
- HU OSA 206-2-22 Type – Writer (Író gépel)
- HU OSA 206-2-23 East Is Red (Kelet vörös)
- HU OSA 206-2-24 Chicago – New York (Chicago – New York)
- HU OSA 206-2-25 Bodies in Formation (Testformációk)
- HU OSA 206-2-26 Hungary Can Be Yours! (Magyarország a tiéd lehet!)
- HU OSA 206-2-27 The Millenary Exhibition (A millenniumi kiállítás)
- HU OSA 206-2-28 International Theatre (Nemzetközi Színház)
- HU OSA 206-2-29 Unerasable Communism (Kitörölhetetlen kommunizmus)
- HU OSA 206-2-30 Forced Bathing in Hungary (Kényszermosdatások Magyarországon)
- HU OSA 206-2-31 DPRK. Democratic Peoples Republic of North Korea (KNDK. Koreai Népi Demokratikus Köztársaság)
- HU OSA 206-2-32 Sex and Communism (Szex és kommunizmus)
- HU OSA 206-2-33 05.03.1953 (1953.03.05)
- HU OSA 206-2-34 José Guadalupe Posada (José Guadalupe Posada)
- HU OSA 206-2-35 NDK-GDR-DDR (NDK-GDR-DDR)
- HU OSA 206-2-36 6 Stalin Cities (6 Sztálinváros)
- HU OSA 206-2-37 Auschwitz 1945-1989 (Auschwitz 1945-1989)
- HU OSA 206-2-38 The Divide (A fal)
- HU OSA 206-2-39 Peace and Wars (Béke és háborúk)
- HU OSA 206-2-40 Russia in Close-Up (Oroszország képközelben)
- HU OSA 206-2-41 Propaganda, Music and Noise (Propaganda, zene és zaj)
- HU OSA 206-2-42 Holocaust Against the Sinti and Roma and Present-Day Racism in Europe (Roma holokauszt és rasszizmus a mai Európában)
- HU OSA 206-2-43 Atom (Atom)
- HU OSA 206-2-44 Ferenczi and the Budapest School of Psychoanalysis (Ferenczi és a budapesti pszichoanalitikus iskola)
- HU OSA 206-2-45 Contagious Middle Ages in Post-Communist East-Central Europe (Ragályos középkor a rendszerváltás utáni Közép-Kelet-Európában)
- HU OSA 206-2-46 Prints of Recollections. Drawings by Endre Rozsda, Interviews with 1956 Refugees (Emléknyomok. Rozsda Endre rajzai, 1956-os menekültekkel készített interjúk)
- HU OSA 206-2-47 The Game (A játszma)
- HU OSA 206-2-48 Raoul Wallenberg. One Man Can Make a Difference (Raoul Wallenberg. Életeket mentett, világokat mentett)
- HU OSA 206-2-49 Composites on Tour (Egy (mű)anyag formái)
- HU OSA 206-2-50 Reprints and Objects 1973-2007 (Reprintek és tárgyak)
- HU OSA 206-2-52 Archives of the Living and the Dead. Honoring Carolus Linnaeus (Az élők és holtak archívuma. Carolus Linnaeus emlékére)
- HU OSA 206-2-53 Aby Warburg: The Mnemosyne Atlas (Aby Warburg: A Mnemosyne atlasz)
- HU OSA 206-2-54 Concrete. Books Bound in Concrete (Konkrétum (betonba kötött könyvek))
- HU OSA 206-2-55 The Trial (A per)
- HU OSA 206-2-56 Secession and Magnetism. The Effects of 1968 on Contemporary Hungarian Art (Kiáramlás és delej. 1968 hatása a kortárs magyar képzőművészetre)
- HU OSA 206-2-57 Barbara Klemm: 1968. Photos of a Revolt (Barbara Klemm: 1968. Egy lázadás képei)
- HU OSA 206-2-58 Etikoppaka (Etikoppaka)
- HU OSA 206-2-105 Collective Dreams and Bourgeois Villas. Site Plan of the Hungarian CIRPAC Group (Kollektív álmok és burzsuj villák – A magyar CIRPAC-csoport helyszínrajza)
- HU OSA 206-2-106 Right Turn, Left Turn. Artistic and Political Radicalism under Late Socialism. The Orfeo and the Inconnu Groups (Balra át, jobbra át. Művészeti és politikai radikalizmus a Kádár-korban. Az Orfeo és az Inconnu csoport)
- HU OSA 206-2-107 Velvet Revolution 1989 (Velvet Revolution 1989)
- HU OSA 206-2-108 The Rajk Vision (Rajk látvány)
- HU OSA 206-2-109 Faith – Trust – Secrecy. Religion Through the Lenses of the Secret Police (Hit - Bizalom - Titok. Az üldözött vallásosság képei a titkosszolgálati levéltárakban)
- HU OSA 206-2-110 Post-Soviet. The Photos of Lenke Szilágyi 1990–2002 (POSZTSZOVJET. Szilágyi Lenke fotói 1990–2002)
- HU OSA 206-2-115 Fearless (Félelem nélkül)
- HU OSA 206-3 Public Events
- HU OSA 206-4 Verzio Film Festival