HU OSA 206-2-58 Etikoppaka (Etikoppaka)
Identity Statement
- Reference Code
- HU OSA 206-2-58
- Title
- Etikoppaka
- Date(s)
- 2008
- Description Level
- Series
Context
- Name of creator(s)
- Open Society Archives at Central European University
- Administrative / Biographical history
- Etikoppaka is a village with about 12,000 inhabitants in Andhra Pradesh in South-East India, near the city of Visakhapatnam. Mahatma Gandhi visited this village in 1930 on the invitation of his friend, the freedom fighter C.V. Narasimha Raju, who belonged to a family of Etikoppaka’s feudal landlords. C.V.N. Raju understood and accepted Gandhi’s ideal of trusteeship, which the Mahatma (the Great Soul) proposed to the rich; so he founded India’s first sugar cane cooperative, initiating an India-wide movement which has made India the largest producer of sugar in the world.
In 1989, one of the descendants of the Raju family, C. V. Raju, founded a new cooperative – Padmavathi Associates to revive a craft for which the village of Etikoppaka was traditionally famous: the manufacture of turned-wood objects coated with vegetable dyes diluted in natural lacquer. Raju’s idea was to preserve traditional village arts and, also, to enable villagers to earn a decent living and arrest their drift to the slum quarters of the nearby metropolis Visakhapatnam to make a living. The cooperative produced exclusively eco-friendly products in an atmosphere that excludes beauty and craftsmanship.
The village also had a milk cooperative, part of the all-India milk cooperative movement founded by another great Gandhian who has rural India, especially its poor, close to his heart, Dr. Kurien Varghese. Dr. Kurien started the milk cooperative movement in the 1960s, in Gujarat state, and the initiative has made India, once largely dependent on food aid programs, the largest milk producer in the world. Besides Gujarat, Andhra Pradesh was the center of the milk cooperative movement and of cattle breeding.
- Archival history
- The exhibition introduced the village of Etikoppaka in its traditional and modern aspects, while also giving the historical background and setting it in the framework of Gandhi’s ideas of trusteeship, village industry, self-reliance and caring for the poor, as well as Fritz Schumacher’s principle of an intermediate technology. Etikoppaka is a traditional picturesque Indian village, similar to the ones Henri Cartier-Bresson photographed some 50 years ago. At the same time it has a dynamism that can be a model also in East Europe, where village development is one of the most neglected fields.
On display at the exhibition were still and moving images of Etikoppaka’s agriculture, village industry and craftsmanship, with special emphasis on the cooperatives. It also presented the everyday life of the village, including the schools, the post office, temples and devotions. Finally, it also showed the places in the village "touched by the Mahatma". Some of the village’s crafts are on display; the musical background to the exhibition is taken from a concert by C. V. Raju and Sheikh Chennamastan, a Muslim musician singing Hindu devotional songs – an ancient tradition prevalent in villages, towns and cities throughout India.
Gandhi’s relevant ideas were presented through citations, as well as directly illustrated by the material in the exhibition, showing that Gandhian thought cannot be reduced to the principle and practice of passive resistance but is, first of all, realized in everyday life.
The message of the exhibition was that the same spirit of frugality, ingenuity, accommodation and cooperation could also be pursued in other parts of the world.
The Etikoppaka exhibiton was part of the academic conference: GANDHI IN A GLOBALIZED WORLD, December 1-3, 2008 Central European University, Budapest - Organized by Central European University and the Embassy of India, Hungary.
Open: December 2, 2008 - December 23, 2008
Content and Structure
- Accruals
Not Expected
Conditions of Access and Use
- Conditions governing access
- Not Restricted
- Languages
- English
Azonosítás
- Jelzet
- HU OSA 206-2-58
- Cím
- Etikoppaka
- Idő(kör)
- 2008
- Leírás szintje
- Series
Kontextus
- Készítő(k) nevei
- Open Society Archives at Central European University
Tartalom és Szerkezet
- Gyarapodás
Nem várható
Hozzáférés és Felhasználás
- Jogi helyzet
- Not Restricted
- Nyelvek
- English
- HU OSA 206 Records of the Open Society Archives at Central European University
- HU OSA 206-2 Exhibitions (OSA Archívum kiállítási program)
- HU OSA 206-2-2 The Representation of the Counter-Revolution (Az ellenforradalom reprezentációja)
- HU OSA 206-2-3 The Art of the Unofficial (Az alternatív művészete)
- HU OSA 206-2-4 Fifty Years Ago It Was a Hundred Years Ago (50 éve volt 100 éve)
- HU OSA 206-2-5 The Portrait of Roloff Beny (Roloff Beny)
- HU OSA 206-2-6 The International Helsinki Federation for Human Rights Movement (IHF. Emberi Jogok Nemzetközi Helsinki Szövetsége)
- HU OSA 206-2-7 Prague Spring, Prague Fall (Prágai tavasz, prágai ősz)
- HU OSA 206-2-8 Freeze Frames of Communism (Dia. Mese és meggyőzés)
- HU OSA 206-2-9 Ten Years of Freedom. 1956 in Hungarian Hisorical Thought (Tíz éve szabadon. 1956 a magyar történetírásban, 1989-1999)
- HU OSA 206-2-10 The Commissar Vanishes (A komisszár eltűnik)
- HU OSA 206-2-11 Gulag (Gulág)
- HU OSA 206-2-12 Ten Years After (Tíz év múltán)
- HU OSA 206-2-13 The Note (A cetli)
- HU OSA 206-2-14 Past in the Present for the Future (A múltat a jelenben a jövőért)
- HU OSA 206-2-15 Vietnám & Vietnam (Vietnám & Vietnam)
- HU OSA 206-2-16 Expedition into the Future (Expedíció a jövőbe)
- HU OSA 206-2-17 The Siege of Budapest 1944-1945 (Az ostrom. Budapest 1944-1945)
- HU OSA 206-2-18 The First One (Az első)
- HU OSA 206-2-19 The 2000 Years of Communism (A kommunizmus 2000 éve)
- HU OSA 206-2-20 Kosovo/a (Kosovo/a)
- HU OSA 206-2-21 Angkor (Angkor)
- HU OSA 206-2-22 Type – Writer (Író gépel)
- HU OSA 206-2-23 East Is Red (Kelet vörös)
- HU OSA 206-2-24 Chicago – New York (Chicago – New York)
- HU OSA 206-2-25 Bodies in Formation (Testformációk)
- HU OSA 206-2-26 Hungary Can Be Yours! (Magyarország a tiéd lehet!)
- HU OSA 206-2-27 The Millenary Exhibition (A millenniumi kiállítás)
- HU OSA 206-2-28 International Theatre (Nemzetközi Színház)
- HU OSA 206-2-29 Unerasable Communism (Kitörölhetetlen kommunizmus)
- HU OSA 206-2-30 Forced Bathing in Hungary (Kényszermosdatások Magyarországon)
- HU OSA 206-2-31 DPRK. Democratic Peoples Republic of North Korea (KNDK. Koreai Népi Demokratikus Köztársaság)
- HU OSA 206-2-32 Sex and Communism (Szex és kommunizmus)
- HU OSA 206-2-33 05.03.1953 (1953.03.05)
- HU OSA 206-2-34 José Guadalupe Posada (José Guadalupe Posada)
- HU OSA 206-2-35 NDK-GDR-DDR (NDK-GDR-DDR)
- HU OSA 206-2-36 6 Stalin Cities (6 Sztálinváros)
- HU OSA 206-2-37 Auschwitz 1945-1989 (Auschwitz 1945-1989)
- HU OSA 206-2-38 The Divide (A fal)
- HU OSA 206-2-39 Peace and Wars (Béke és háborúk)
- HU OSA 206-2-40 Russia in Close-Up (Oroszország képközelben)
- HU OSA 206-2-41 Propaganda, Music and Noise (Propaganda, zene és zaj)
- HU OSA 206-2-42 Holocaust Against the Sinti and Roma and Present-Day Racism in Europe (Roma holokauszt és rasszizmus a mai Európában)
- HU OSA 206-2-43 Atom (Atom)
- HU OSA 206-2-44 Ferenczi and the Budapest School of Psychoanalysis (Ferenczi és a budapesti pszichoanalitikus iskola)
- HU OSA 206-2-45 Contagious Middle Ages in Post-Communist East-Central Europe (Ragályos középkor a rendszerváltás utáni Közép-Kelet-Európában)
- HU OSA 206-2-46 Prints of Recollections. Drawings by Endre Rozsda, Interviews with 1956 Refugees (Emléknyomok. Rozsda Endre rajzai, 1956-os menekültekkel készített interjúk)
- HU OSA 206-2-47 The Game (A játszma)
- HU OSA 206-2-48 Raoul Wallenberg. One Man Can Make a Difference (Raoul Wallenberg. Életeket mentett, világokat mentett)
- HU OSA 206-2-49 Composites on Tour (Egy (mű)anyag formái)
- HU OSA 206-2-50 Reprints and Objects 1973-2007 (Reprintek és tárgyak)
- HU OSA 206-2-52 Archives of the Living and the Dead. Honoring Carolus Linnaeus (Az élők és holtak archívuma. Carolus Linnaeus emlékére)
- HU OSA 206-2-53 Aby Warburg: The Mnemosyne Atlas (Aby Warburg: A Mnemosyne atlasz)
- HU OSA 206-2-54 Concrete. Books Bound in Concrete (Konkrétum (betonba kötött könyvek))
- HU OSA 206-2-55 The Trial (A per)
- HU OSA 206-2-56 Secession and Magnetism. The Effects of 1968 on Contemporary Hungarian Art (Kiáramlás és delej. 1968 hatása a kortárs magyar képzőművészetre)
- HU OSA 206-2-57 Barbara Klemm: 1968. Photos of a Revolt (Barbara Klemm: 1968. Egy lázadás képei)
- HU OSA 206-2-58 Etikoppaka (Etikoppaka)
- HU OSA 206-2-105 Collective Dreams and Bourgeois Villas. Site Plan of the Hungarian CIRPAC Group (Kollektív álmok és burzsuj villák – A magyar CIRPAC-csoport helyszínrajza)
- HU OSA 206-2-106 Right Turn, Left Turn. Artistic and Political Radicalism under Late Socialism. The Orfeo and the Inconnu Groups (Balra át, jobbra át. Művészeti és politikai radikalizmus a Kádár-korban. Az Orfeo és az Inconnu csoport)
- HU OSA 206-2-107 Velvet Revolution 1989 (Velvet Revolution 1989)
- HU OSA 206-2-108 The Rajk Vision (Rajk látvány)
- HU OSA 206-2-109 Faith – Trust – Secrecy. Religion Through the Lenses of the Secret Police (Hit - Bizalom - Titok. Az üldözött vallásosság képei a titkosszolgálati levéltárakban)
- HU OSA 206-2-110 Post-Soviet. The Photos of Lenke Szilágyi 1990–2002 (POSZTSZOVJET. Szilágyi Lenke fotói 1990–2002)
- HU OSA 206-2-115 Fearless (Félelem nélkül)
- HU OSA 206-3 Public Events
- HU OSA 206-4 Verzio Film Festival